To call Zora Neale Hurston's Their Eyes Were Watching God an "African American feminist classic" may be an accurate statement-it is certainly a frequent statement-but it is a misleadingly narrow and rather dull way to introduce a vibrant and achingly human novel. The syncopated beauty of Hurston's prose, her remarkable gift for comedy, the sheer visceral terror of the book's climax, all transcend any label that critics have tried to put on this remarkable work. First published amid controversy in 1937, then rescued from obscurity four decades later, the novel narrates Janie Crawford's ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny. Although Hurston wrote the novel in only seven weeks, Their Eyes Were Watching God breathes and bleeds a whole life's worth of urgent experience.
The Big Read is a program of the National Endowment for the Arts designed to revitalize the role of literary reading in American popular culture. Reading at Risk: A Survey of Literary Reading in America, a 2004 NEA report, identified a critical decline in reading for pleasure among American adults. The Big Read addresses this issue by bringing communities together to read, discuss, and celebrate books and writers from American and world literature.
A great book combines enlightenment with enchantment. It awakens our imagination and enlarges our humanity. It can even offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining The Big Read.
Zora Neale Hurston, 1934 (Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library)
Illustration by Jerry Pinkney for the 1991 edition of Their Eyes Were Watching God (University of Illinois Press)
Hurston demonstrating the Crow Dance at her home in New York, 1935 (Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library)
